There’s one type of rejection that brings fear to the minds of all writers, that makes us scream at the top our lungs, that haunts our worst nightmares. And that rejection goes something like this:
“I really enjoyed reading your manuscript, but I’m not the right agent for it.” Or, “I really enjoyed reading your manuscript, but I just didn’t fall in love with.”
I know. I know. It seems so cruel, because can’t they just tell us what’s wrong with it? If it was so perfect, why are they passing??
But here’s the thing: this type of rejection is Not Bad.
As I’ve been learning throughout the past months of interning and just reading the slush at Pitch Wars, subjectivity is present everywhere. And I do mean everywhere. I read tons of awesome-sounding manuscripts in Pitch Wars, for example, with evidence of strong writing and a great story–but many of them just weren’t for me.
There is no real reason for this, either. Yes, in some cases I had my own subjectivity-related issues, but a number of the submissions I passed on were great, with both undeniably strong writing and concepts. In some cases I even recognized there was something great there–and I can’t wait for an agent to pick it up in the coming months. So why did I pass? Sometimes the idea, although interesting, was not something I was as excited about as I wanted to be. Or maybe, it was simply because I didn’t feel like I’d be much of a help mentoring a book with X idea, because a) I felt it stretched out of my line of experience and b) I did not feel as passionate about it as I should. And in an agent’s case, many of those “not for me” rejections mean either a) the plot of book is something that the particular agent doesn’t feel confident selling it for whatever reason–probably because it’s outside his/her area of expertise, but the agent knows that someone else may be able to sell it. Or b) the agent recognized there was something there, but he or she simply didn’t fall in love with it.
And that’s thing: falling in love with it. You want to fall in love with a manuscript. You want to feel passionate about it. And sometimes even when you know something is great, you don’t fall in love with it. And that is OKAY.
So yes, some of you who submitted to me will get that dreaded “This isn’t for me” or “I didn’t fall in love with it” reply. But you know what? It’s a compliment. Really. I get that you hate it. I get that it sucks. But it doesn’t mean you suck. So no matter how horrible those rejections may seem, no matter how much they may tear at your confidence, remember they are not given to everyone. Remember that the agent, that the mentor, truly does think you have something great here.
One day, you will find the right agent for your manuscript. And one day, you will look back on those “I didn’t fall in love with it” rejections, and you will be so appreciative it happened the way it did.
I don’t get why some writers don’t realize they want an agent who is absolutely in LOVE with their manuscript, not somebody who feels lukewarm about it. That would be like finding out the person you married only married you because they thought you’d feel bad if they said no, but that they don’t actually love you. It hurts, but I’d rather know the truth. Thanks for posting this. Hopefully those who might have taken rejection hard will read this and understand rejection a little better.
Haha, so true!
Le sigh.
LOL! Sorry, that’s all I could muster
*evil stare*
Thanks! My entry was WAY out of your genre, but this makes sense and I will keep that in mind always as I move through the confusing world of agents, publishers and even self-publishing!
Good luck!
So many hopeful writers can’t see past the word rejection. To them EVERY rejection is bad. Many of those same writers don’t want to wait. Just like Veruca Salt in Charlie and the Chocolate Factory, they want it daddy. They want it now!
But if we stop and think objectively for two minutes, we’d see the logic behind these kinds of rejections. We wouldn’t want an agent to half-heartedly fight for a publishing contract, yet most writers would be perfectly happy having that same agent sign their book after half-heartedly liking it. We trust literary agents to be great judges of material EXCEPT when it comes to our own submissions. Having the right literary agent is more important than simply having one. A point many writers seem to overlook in their quest to become published.
I admire the truth behind this post. I can only hope many of the writers who submitted pitches to you understand the message. Just because one agent didn’t fall in love, doesn’t mean another won’t.
I completely agree. Thank you so much for this comment!
These are the worst for me because they’re seriously all I get. And I hate them. They make me feel like the agents are lying and just trying to be nice. I feel like getting rejections telling me my work sucks would be easier to take because I can fix suckage but I can’t fix their interests. It’s so frustrating and I really do hate it.
I’m really impressed that you all are writing R’s at all. Most contests are, “winners will be notified.” And that’s it. Hopefully, the participants will recognize the time and effort you guys have put in and be equally professional in response.
Yes, the mentors are really amazing!
That response can crush or it can catalyze. Listen to the reason — “it’s not for me” Then add, “but someone else will love it.” Just as you must find YOUR audience, you must find YOUR agent. Or start your own publishing company.
Agreed! You need to find the agent who works for you.
Thanks. I may save this for when I start getting those darned rejection letters.
Rejections get frustrating, but they only mean that you’re on the right path. It will get better.
Great post. I 100% agree. You really do want the agent and editor that loves your work, otherwise their whole hearts aren’t in it. My very first rejection was on a short story I submitted and it said while this is well written this is not the story we are looking for at this time. And I took that as a huge compliment because even though it wasn’t accepted, they told me it was well written. I think that’s often the case when someone says this isn’t for me, because they can’t say there’s anything technically wrong with it other than it didn’t speak to them. And that’s okay because it’s physically impossible for every person to love every thing you write.
Yes! And you want to find the agent that does love what you write, that does believe in you.
Reblogged this on Author Jessie Devine and commented:
Just read this on John Hansen’s blog. Seemed relevant.
Thanks!
Thanks. I’m preparing myself *goes off to get chocolate*
*sends chocolate*
Lol! Thanks for the positive thoughts
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